| 1. |
|
|   |
Born in France, Marie`s work is inspired and influenced by the work of the 19th century "French Animaliers", such as Jules Pierre Mene and Antoine Louis Barye.
Marie`s work is not about scientific measurements but it is about capturing the spirit and the essence of the subject. It is about capturing life.
Marie works on private commissions but also continues developing a portfolio of limited, numbered and signed edition in bronze with few work also available (in a very limited number) in cold cast bronze. |
|   |
|
| 2. |
|
|   |
Occasionally work from the East stands out for sheer quality of workmanship and this selection we have made, has we feel, this certain something. The low prices reflect the lower costs and in consequence are remarkable bargains. The works are by a variety of different anonymous artists. |
|   |
|
| 3. |
|
|   |
His charming, rounded, friendly figures have been snapped up by, amongst others, collectors in Holland, Austria, France, Germany, Singapore, Italy, Thailand, USA. Lord Carrington, Michael Hestletine, Tom Stoppard, and Pru Leith have pieces in their collections. |
|   |
|
| 4. |
|
|   |
Trained at Reading University and the Ecole des Beaux Arts in Paris and having taken early retirement from teaching plunged into sculpture and portraiture and was selected for the RA Summer Exhibition. His time is almost entirely taken up by commissions so we are lucky to have his work to show his incredible talent for the human form in repose and motion. |
|   |
|
| 5. |
|
|   |
After 5 years studying sculpture at the Liverpool College of Art, she worked in America, Kenya and the North of England. All of which have influenced her in her figurative and abstract art. Only working in bronze, using cire perdue, she has work in collections in most parts of the country and you can see why. |
|   |
|
| 6. |
|
|   |
Having been born and brought up in Jersey he went to Art College followedby Freelancing as sculptor for BBC TV and later for the whole entertainments industry. Although they keep him very busy he manages to create these delighful pieces for the great outdoors. He is open to commissions and keen on challenges. |
|   |
| a. |
Peach |
Larger than life |
Resin |
u/l |
£3500 |
| b. |
Pear |
Larger than life |
Resin |
u/l |
£3000 |
| c. |
Tw Cherries |
Larger than life |
Resin |
u/l |
£2000 |
|
| 7. |
|
|   |
Her work is derived from intense study of early civilisations. What she is interested in is the connection between man and his spiritual and physical world. In this secular society, with an ever-decreasing attention span, she is looking for something deeper and more lasting. |
|   |
| a. |
Druid |
38 in |
Monk’s Park Limestone |
1/1 |
£3250 |
|
| 8. |
|
|   |
He has a natural eye for form and design and unerring ability to turn the former into spectacular reality in stainless steel. He does this alongside this other skill in designing and creating original designer furniture for exteriors as well as interiors. |
|   |
|
| 9. |
|
|   |
This is remarkable confluence of talents in the artistic creations of wild life by David Cemmick with his immense knowledge of the animal kingdom and the skilful mould making and finished by Sebastian Wylder, whoses abilities are used by several top end sculptors. |
|   |
| a. |
THE RUT |
life size |
BRONZE |
9 |
£45000 |
|
| 10. |
|
|   |
Peter has exhibited his imaginative organic sculpture in innumerable outdoor and indoor exhibitions throughout Britain since graduating from Camberwell College, London. The majority of his work is in copper and steel.
His work has been purchased for collections in Europe, the US and New Zealand, such is the interest in his unearthly depictions of flora which blend in so well in garden settings, as exampled in BBC Gardener’s World, The FT , Sunday Express colour supplements etc. |
|   |
|
| 11. |
|
|   |
Anton Dala, a direct descendant from the Scandanavian woodsmen of the sixteenth century, has taken his heritage of the now world famous "Dala Horse" and using his own equestrian experience, creates his stunning works.
The Dala Horse was origionally a small brightly painted carved horse, given as a gift to the children of sixteenth century scandanavian fathers upon their return home from months away in the forests. It is best known today as a symbol of good luck and dexterity.
Anton, with some forty years of equine experience, has elaborated on this theme. His mediums are worn horseshoes, unformed hoseshoe rods and re-cycled iron and steel.
The use of worn horseshoes adds another dimension to his work, with shoes showing different styles and wear patterns.
His pieces vary between realism and conceptualism and he works closely with clients for their commissions incoroprating, if they wish, some of their own ideas as well as his unique works purely from his own mind. |
|   |
|
| 12. |
|
|   |
Martin makes beautifully crafted wire sculptures by welding stainless steel. |
|   |
| a. |
Antinous |
30 x 30 x 80 cm |
stainless steel with a sycamore plinth |
2 |
£834 |
|
| 13. |
|
|   |
An inventive and original artist working in the balmy climate of the West Indies, who has created fireballs cut from ever more difficult to source steel buoys. |
|   |
|
| 14. |
|
|   |
Particularly accomplished in humorous and life like animals, in bronze, ceramic and resin, and often uses colours outside the normal. Exhibits widely and has an avid following and you can see why. |
|   |
|
| 15. |
|
|   |
A truly remarkable self taught artist producing one off fine bird sculptures using his highly skilled metalcraft techniques from a career of repairing aircraft. After a lifelong passion for wood carving, willow sculpture and nature, the natural progression into metals particularly old copper, has produced a marvelous collection of fine bird sculptures. |
|   |
| a. |
Heron 2 |
120 x 40 x 30 cm |
Old Copper |
1/1 |
£3667 |
|
| 16. |
|
|   |
A rare Artists Blacksmith, whose work can be found at Eton College, The Natural History Museum, Elizabeth Frink, Goodwood Sculpture Park, Compton Castle, Laugharne Castle etc and because he is in such demand for commissions, has little time to indulge his passionate skill on his own inspirations, and we are lucky to have been able to get these pieces which exemplifies his astonishing imagination. |
|   |
| a. |
Drop |
3.6 m |
Stainless Steel |
1/1 |
£14200 |
| b. |
Guernsey Lily |
112 x 94 cm |
Stainless Steel & Copper |
1/1 |
£4000 |
|
| 17. |
|
|   |
Christine Fox creates abstact sculpture in stainless steel and other materials.She trained at Winchester School of Art and got her first commission when she was in the first year of the degree course there.Her current work is exploring aspects of time, change over time. |
|   |
|
| 18. |
|
|   |
He is a British sculpture who has lived and worked in Columbia for 40 years where he runs a pottery of international repute, a sculpture school, and farms. His skill at interpreting the human form, particularly children and teenagers at rest and play, is exquisite. For those who are interested, there is a DVD of his entire portfolio available at ArtParkS. |
|   |
| a. |
Felix |
Life Size |
Bronze |
1/9 |
£5000 |
| b. |
Lina |
Life Size |
Bronze |
1/9 |
£5000 |
|
| 19. |
|
|   |
After two careers, in the Coldstream Guards and as a G.P., he has finally found his passion for using local materials and creating works for that landscape. His work is commission only, and his whims and follies can be found in Arizona, Yorkshire and Lincolnshire. He is influenced by Military Fortification and dry stonewalling of his native Yorkshire when he is not writing, exploring or inventing. |
|   |
| a. |
Sitooterie |
build on request |
Granite |
Unique |
|
| b. |
Whim 7 |
Variety |
Granite or any stone or materiel that is |
7/00 |
|
|
| 20. |
|
|   |
A man of many parts, producing such serious and humorous work. Initially specializing in portrait and figurative work, moving via numerous commissions to his present mischievous approach, reminiscent of Hans Anderson or Mervin Peake, which are so sought after. He is the youngest person ever to have worked for Madame Tussauds in London. |
|   |
|
| 21. |
|
|   |
Ben`s sculpture is mainly figurative with modernist elements, making clear reference to early 20th Century sculpture. By using traditional casting techniques and materials while treating his subjects in a uniquely modern way, he moves away from the academic confines of traditional sculpture, resulting in work that shows true affection and humour. |
|   |
|
| 22. |
|
|   |
Veda works mainly in bronze, drawing inspiration from natural forms; fruits, seeds, birds and butterflies. Her present creative focus is on bronze wall pieces, using elements such as flights of birds, clouds or putterflies, and abstract fors, which are either 'one offs', or unique composites on commission. |
|   |
| a. |
Dream Seed |
100 x 23 cm |
Bronze |
2/9 |
£2500 |
| b. |
Liberty |
57 x 46 x 34 cm |
Bronze |
3/12 |
£9000 |
| c. |
Nashi |
37 cm |
Bronze |
5/9 |
£3500 |
|
| 23. |
|
|   |
Born in Buffalo, New York, I spent my childhood enthralled in a world of drawing and painting. Though honored for my creative endeavors, I was encouraged to pursue a more conventional career. After finding success in real estate and hotel development, the artistic passion that existed just beneath the surface of my long-established business persona was finally able to present itself in tangible form upon selling my company in 1996. I began sculpting, and have since created an evolving body of work made up of alabaster, marble, limestone, and bronze. |
|   |
|
| 24. |
|
|   |
One of the most accurate and carefully made sundials available in Europe. Silas Higgon creates a wide selection of meticulously calibrated traditional and contemporary pieces. |
|   |
|
| 25. |
|
|   |
Michael Hipkins was born in 1942 and received his Art education at Blackpool College. He then went to Paris to study painting at the Academie de la Grande Chaumiere and Academie Julienne and etching and engraving at S.W. Hayter’s Atelier 17. Primarily absorbed by the human figure, he is not so concerned with naturalistic interpretation but rather with truth to materials used. In his stone carving he tries to bring out the quality of the stone, showing different degrees of process from the raw stone to a highly polished finish. The figures emerge from the stone creating unity in form, spirit and movement. |
|   |
| a. |
Mermaid |
50 x 50 x 90 cm |
Portuguese Marble |
1/1 |
£6600 |
| b. |
Primavera |
44 x 24 x 12 cm |
Portuguese Rose Marble |
1/1 |
£3000 |
|
| 26. |
|
|   |
“Graceful curves and planes, crystallize organic ideas with solid structures and suggest as yet undiscovered natural forms – the sort of sculpture one is compelled to touch”, is just one description of his delightful work that is so much in demand in the house, the workplace and the open space. |
|   |
| a. |
Lydian |
1.5 m |
White Granite |
1/1 |
£2500 |
| b. |
Morphos 1 |
1.5 m |
White Marble and Abalone |
1/1 |
£7335 |
| c. |
Morphos 2 |
1.5 m |
White Marble and abalone |
1/1 |
£6000 |
| d. |
Morphos 3 |
1.5 m |
White Marble and abalone |
1/1 |
£6670 |
|
| 27. |
|
|   |
Deirdre Hubbard's sculpture explores the rhythms of natural forms, sometimes retaining the original image, but more often moving to some level of abstraction. Always vital is the rhythmic interplay of concave and convex shapes and the resulting curves and counter-curves. |
|   |
|
| 28. |
|
|   |
Has an insatiable love of animals and her skill is translating the wildlife in the country and the sea shore of Kent into Sculpture. She somehow captures both the strength and repose of her subjects. As she is always working on commissions she has little time to indulge her inclinations and we are extraordinary lucky to have these pieces. |
|   |
|
| 29. |
|
|   |
Mark originally studied Business Law and pursued a successful career in Marketing with some of Europe’s leading businesses. Whilst Head of PR and Marketing Communications at Orange plc, he personally developed many artistic initiatives including the Orange Prize for Fiction.
Predominantly self-taught, Mark learnt his traditional stone carving techniques on the Mediterranean island of Gozo. Captivated by the islands’ rich Neolithic history he was spurred on to study sculpting techniques at the University of Hertfordshire.
Working in a broad range of natural stones, Mark uses the solidity of his materials to map out and explore the realm of emotional experiences and responses. The result is sculpture which moves comfortably between figurative and abstract, bridging the gap between the physical and emotional, in an aesthetically enticing style. He also produces limited edition sculptures from the originals in Foundry Bronze, Aluminium, and composite metal and stone resins.
He has been a member of the Hertfordshire Visual Arts Forum since 1996 and works from his studio in North Hertfordshire. |
|   |
|
| 30. |
|
|   |
Born in Stuttgart – has a background of painting, drawing, collage, porcelain and terracotta, and her work reflects and evokes her love of the natural and gentle memories of her childhood. Usually cast in resin bronze, though her commissions are in bronze. |
|   |
|
| 31. |
|
|   |
Secondnature cross the ‘boundaries’ of art and design to create innovative and distinctive abstract sculpture, using digital drawing and making technology to transform the drawn line into a tangible object. Their unconventional approach combines a graphic designers’ eye for bold line, form and pattern with a fine artists’ feel for materials. Secondnature's work is inspired by the wild yet decorative aspects of nature focusing on silhouettes, shadows and movement of leaf, branch, light and flame. They currently use new and reclaimed materials and are interested in working with other (particularly environmentally friendly) materials. |
|   |
|
| 32. |
|
|   |
Trained at Winchester School of Art, and works in terracotta, resin bronze, bronze, cement fondue and plaster, using the human form with mythological references, the lighter side also attracts her, using colour, movement and humour. |
|   |
|
| 33. |
|
|   |
It is a real pleasure to be able to welcome back Lucy’s rapturous approach to nature, and her skilful use of patination. Usually her exhibitions are a sell out, so we were lucky to have this piece to show you. |
|   |
|
| 34. |
|
|   |
She is a sculptor reveling in the human form, capturing the spontaneous spirit of repose or movement and seemingly reflecting her own joy and sense of fun. |
|   |
| a. |
Audrey |
84 x 80 x 55 cm |
Marble Pink |
1/1 |
£6552 |
| b. |
Breast |
84 x 80 x 55 cm |
Bronze |
1/1 |
£9850 |
|
| 35. |
|
|   |
Has a natural ability, augmented by study at Hereford College of Art and Design, to create life and mythical forms from steel, copper and other metals, and the few pieces that he creates get snapped up by his fellow islanders and from further afield. He gets better every time he sets his hand to the welder. |
|   |
| a. |
Face en Face |
49 x 30 x 38 cm |
Copper & Steel |
1/1 |
|
| b. |
Reach |
209 x 56 x 52 cm |
Steel |
1/1 |
£4270 |
| c. |
Ronin |
185 x 86 x 125 cm |
Copper & Steel |
1/1 |
£10835 |
|
| 36. |
|
|   |
His enthusiasm and skill is only equalled by his dedication, hard work and knowledge. Not only did he help to launch the Yorkshire Sculpture Park but his interpretation of steel into his passion for art in the landscape is exemplified in these pieces. Michael has recently won the Yuzi prize (joint first prize) at the first Guilin Yuzi Paradise International Sculpture Awards in China. |
|   |
|
| 37. |
|
|   |
Achieving an HND at Stafford college under the tuition of Mike Talbot ARBS, Andrew has since worked professionally as a sculptor for 13 years.
He has worked on countless statues, including a life size of the 1st Earl of Stafford. Portrait commissions such as Mrs Linda Reeves of Romsey.
From a young age, Andrew was fortunate to spend many summer months in Rome where he was inspired by the captivating sculptures of Michelangelo and Gian Lorenzo Bernini. |
|   |
| a. |
Grey Lady |
55 x 30 x 25 cm |
Aluminum laminate |
35 |
£800 |
| b. |
Rosie |
80 cm |
Bronze Resin |
4/35 |
£1500 |
|
| 38. |
|
|   |
Because of the immense demand in Holland for his scultures, there seems scarcely a town there that does not have at least one of his works. It is only because his ancestors, fleeing from the terror in Normandy, lived for a time in Guernsey that we persuaded this sculptural giant to exhibit here. |
|   |
|
| 39. |
|
|   |
Nicolas Moreton is one of the rare artists who is much loved by critics and public alike and that stern arbiter Brian Sewell says ‘he is among his
generation, unrivalled in technique’. He has been the subject of numerous articles and TV programmes as his uniquely original approach has the ability to provoke surprise as well as pleasure. |
|   |
| a. |
Backstroke |
180 cm |
Lancaster eatherbed limestone |
1/1 |
£16700 |
| b. |
He stood so tall |
218 cm |
Clipsham limestone |
1/1 |
£26000 |
| c. |
Sunflowers |
120 cm |
Clipsham limestone & 24 carat gold |
1/1 |
£16700 |
|
| 40. |
|
|   |
Originally from Bangor in Wales and having trained at St Martins, she now lives and works in Croatia. Her work is very strong and personal and is inspired by where she works and her background. You can not categorize her work,only glory in it`s generosity, size and power. |
|   |
| a. |
Dead Man |
23 x 63 x 71 cm |
Stone, Steel & Lead |
i/i |
£1670 |
|
| 41. |
|
|   |
Terry comes with a natural talent honed at an impressive selection of Art Academia; Wimbledon School of Art, Hornsey College of Art and the Royal College of Art. He has been invited to exhibit extensively in Australia, Britain, Italy & France and features prominently in ‘Modern British Sculpture’ the book of sculptors of 20th Century by Guy Portelli. |
|   |
| a. |
Accord |
76 x 74 x 50 cm |
Cold Cast Iron |
1/10 |
£7920 |
| b. |
Undercurrents II |
90 x 170 x 30 cm |
Cold Cast Copper |
2/5 |
£6670 |
|
| 42. |
|
|   |
Nearly all his work is devoted to the exploration of glass as a sculptural medium and where appropriate he adapts the latest glass engineering techniques. He often incorporates toughened and shatter resistant glass laminates and is thus able to create glass sculpture which does not need support and is robust and durable.
Has exhibited and sold his unique glass pieces all over the world.
His technology degree has given him great insight into structure and physical properties of glass, and this enables him to realise highly original and unexpected artistic possibilities for this spectacular medium.
His work frequently features on television.
Very much in demand. |
|   |
|
| 43. |
|
|   |
Started his career in art young – studying at the Cardiff Art School and the Royal College of Art. He has exhibited all over Britain, where his art is sought after for public and private collections. Working largely in stone and marble, his versatile chisel creates miniature and massive work. One of the greats of the old school. |
|   |
| a. |
My Doll |
|
Portland stone |
1/1 |
£4200 |
|
| 44. |
|
|   |
"In recent years sculptor Guðrún Nielsen has been fascinated with all things Japanese, which ties in with her enduring interest in clear and concise forms and proportions and qualities such as lightness and harmony, in short everything that contributes to the optimum balance of elements within the work at hand as well as the world without. These are qualities associated with the Japanese attitude to mass and space, as seen in their oldest buildings as well as their recent architecture. A fundamental aspect of this attitude is certain spareness with regard to materials, which is also an attitude that Guðrún subscribes to."
Japan Current, Catalogue 17.Oct. 2009 Aðalsteinn Ingólfsson
Greenham Common celebrates its transformation BBC 26.July 2010
A sculpture has been unveiled to mark the work of the Greenham Common Trust, which supports charitable projects in West Berkshire.
The design, called Changes, celebrates the transformation of the
read more ...http://www.bbc.co.uk/news/uk-england-berkshire-10760090 |
|   |
| a. |
Memory II |
180 x 46 x 30 cm |
Corten steel or painted steel |
1/9 |
£8850 |
|
| 45. |
|
|   |
Gary has a deftness and skill with copper, which combines with a sure eye for form. The shapes and designs are absorbed from nature and then worked into the finished creation. He has work in private collections all over the country, we have sent them as far as Switzerland. |
|   |
|
| 46. |
|
|   |
Rising head and shoulders above his contemporaries his work is found all over Britain, the US and Europe, in private, public and corporate collections. Somehow with all his commissions and own inspirations he manages to find time to work on the committee of the RBS and write books on the sculptors of the 20th Century with equal skill and panache. |
|   |
|
| 47. |
|
|   |
His great skill in figurative work is reflected in the astonishing amount of commissions, bronze portraits of such heroes such as Douglas Bader, Wellington, Napoleon, Johnny Johnson etc and his ability to give a feeling of movement as well as peace, he has been asked to exhibit at the RA, The Sladmore Gallery, Tokyo, New York etc etc. |
|   |
|
| 48. |
|
|   |
As he is in such demand for commissions for public and private collections, he has very little time to work on his own inspirations and we are privileged to share some of his own examples of realism. His work is of such quality that it has nearly all been funded by rural development funds, the Lottery, Arts Councils and County Councils. |
|   |
| a. |
Canon |
24 in |
Portland stone |
i/i |
£1745 |
|
| 49. |
|
|   |
Helen Sinclair's work is figuratively based, modeled in a variety of materials and cast into stone-resin and bronze. She exhibits all over Britain and her sculpture is in private collections worldwide. |
|   |
|
| 50. |
|
|   |
Elizabeth, Diploma Art & Design (Wales) Post Graduate Year City & Guilds (London), has exhibited in London, Paris and Amsterdam: Works aim for tension, balance and latent movement and are in collections in England, Germany and Holland. Of Anglo-Irish descent, she has lived in Ireland, Scotland and Wales. She was elected Associate Member of the Royal British Society of Sculptors in 1998 and shows with Surrey Sculptors, Surrey artists, Hampshire Sculpture Trust and Local Galleries. Her work was shown at the Hannah Peschar Sculpture in Landscape, in Gardens of ArtParkS International, Le Club des Arts, 4 place du Louvre Paris, Gallery Lughien Amsterdam, and semi permanent at Beale Park, Reading. She has sculpture in private collections in England, Wales, Germany and Holland. |
|   |
|
| 51. |
|
|   |
Jilly Sutton trained at Exeter College of Art. She carves ‘in the round’ large pieces of tree, the challenge being the plastic manipulation of the wood. Her mostly figurative work has a haunting beauty, with an over-riding feeling of peace. Her double sized head of the Poet Laureate is in the National Portrait Gallery. Much of her work is cast in bronze or jesmonite. |
|   |
|
| 52. |
|
|   |
One of the most powerful sculptors of the decade.
He has work in London, New York, Blenheim Palace etc, and has exhibited widely. |
|   |
|
| 53. |
|
|   |
Much in demand for public art and community projects, Richard somehow captures the potential of the medium he work in with the genius of a light touch. When not sculpting he teaches degree courses. |
|   |
| a. |
Genesis I |
1.2 x 1.3 x 3 m |
Stainless Steel |
1/5 |
£4920 |
| b. |
Inception |
2.1 x 1.8 x 9 m |
Stainless Steel |
1/3 |
£5585 |
|
| 54. |
|
|   |
He is probably the top Bulgarian international artist and has worked and exhibited in UK, Japan, Italy, Bulgaria, Hungary, Austria, France, Taiwan, China, Portugal, Korea, Turkey, Australia, United Arab Emirates, Scotland and South Africa. He is an absolute giant of the sculpture world who seems to have captured the contemporary ethos of desirable art with seemingly effortless ease. |
|   |
|
| 55. |
|
|   |
A remarkably versatile artist, having graduated from Wimbledon, Chelsea and The Royal College where she won the Henry Moore Scholarship she creates work of quality and power. |
|   |
|
| 56. |
|
|   |
Her private commissions can be found in Holland, Germany, Portugal, Switzerland and the America’s and her public commissions include St. Thomas’s Hospital, Keele University, Albourne Church etc etc. Like many great sculptors she started as a painter but unusually came to sculpting via domestic pottery, but what a result. |
|   |
| a. |
Drowsing |
77 x 55 cm |
Bronze Resin |
8 |
£2175 |
|
| 57. |
|
|   |
Tolleck`s work is kept in private and public collections in the UK and throughout the world. |
|   |
|
| 58. |
|
|   |
She has two very distinct sides to her work. The intensely evocative and often seductive figurative bronzes on the one hand and on the other portrait work of such luminaries as Air Chief Marshall Lord Dowding, Marshall of the RAF, Sir Arthur Harris, Memorial of the Liberation of the Falklands, The Soldiers, unveiled by the Queen at Catterick and has been commissioned to do portraits, busts of Maria Callas, Kemal Jumblatt, HRH, the Princess Royal etc. She first exhibited at the R.A. aged only 19. |
|   |
|
| 59. |
|
|   |
He is one of those rare artists whose skill is entirely natural and untaught and whose artistry has been appreciated by such as Sir Cecil Beaton, his first client, The Duke of Westminster who commissioned a 5 metre bronze of his ancestor Sir Robert Grosvenor and so the list goes on. He is particularly well known for his singular ability to capture that spontaneous moment of movement or repose whether of people, birds or animals. |
|   |
| a. |
Amber |
44 cm |
Bronze Resin |
a/c |
£13500 |
| b. |
Caterina II |
87 x 56 cm |
Bronze Resin |
1/4 |
£7500 |
| c. |
Claudia |
39 x 43 cm |
Bronze Resin |
a/c |
£7500 |
| d. |
Jessica I |
120 x 50 cm |
Bronze Resin |
A/C |
£4200 |
| e. |
Negar |
60 cm |
Bronze Resin |
a/c |
£13500 |
|
| 60. |
|
|   |
Though inspired by classical tradition, Althea’s work develops her forms of human figures and animals with a contemporary treatment, using high-fired ceramic with the colour of cotwold stone |
|   |
|